300: Special Edition

As the capabilities for better, more detailed, more technically intricate computer graphic work are applied to motion pictures, directors are finding a wide range of uses for that technology as they bring their artistic visions to full-motion life. As with any artistic medium, especially one still in its infancy, some of those choices are positively painful to have to sit through. Robert Zemeckis' freakish motion-capture kids' flick The Polar Express, for example, was populated by characters who looked like they'd been embalmed, covered in latex, and then painted by slave laborers in a third-world sweatshop (his upcoming Beowulf  adaptation looks to be more  aesthetically pleasing, although it does beg the question of why he felt the need for hyper-realistically animated versions of Anthony Hopkins and Angelina Jolie when he could have just, you know, filmed the real thing.) But
some directors have found that advanced CGI techniques allow them to create worlds that would otherwise be impossible (or financially prohibitive) to film ... (Read more ...)